Search blog.co.uk

  • L'appuntamento by Ornella Vanoni

    Ho sbagliato tante volte ormai
    che lo so già
    Che oggi quasi certamente
    Sto sbagliando su di te
    Ma una volta in più che cosa può cambiare
    Nella vita mia
    Accettare questo strano appuntamento
    È stata una pazzia

    (I've been mistaken so many times
    By now that I already know
    that today is almost a certainty
    I've been wrong about you
    But once more that you can change
    My life...
    To accept this strange appointment
    Has been a madness!)

    Sono triste tra la gente
    che mi sta Passando accanto
    Ma la nostalgia di rivedere te
    È forte più del pianto
    Questo sole accende sul mio volto
    Un segno di speranza.
    Sto aspettando quando ad un tratto ti vedrò
    Spuntare in lontananza

    (I am sad among the people
    that are passing by me
    but the nostalgia of seeing you again
    it is stronger than weeping:
    this sun shines on my face
    a sign Of hope.
    i am waiting when suddenly
    you appear in a distance!)

    Amore, fai presto, io non resisto
    Se tu non arrivi non esisto
    Non esisto, non esisto

    (Love, make it soon, I don't resist...
    if you don't come, I don't exist
    I don't exist, I don't exist...)

    È cambiato il tempo e sta piovendo
    Ma resto ad aspettare
    Non m'importa cosa il mondo può pensare
    Io non me ne voglio andare.
    Io mi guardo dentro e mi domando
    Ma non sento niente
    Sono solo un resto di speranza
    Perduta tra la gente.

    (and the time has passed and it's raining
    but only to wait
    it doesn't concern me what the world thinks
    i don't want to go.
    i look inside myself and I wonder
    but I don't feel anything;
    i only have is hope
    lost among the people.)

    amore è già tardi e non resisto
    Se tu non arrivi non esisto
    Non esisto, non esisto

    (Love you are already late and I don't resist...
    if you don't come I don't exist
    i don't exist, I don't exist...)

    Luci, macchine, vetrine, strade tutto quanto
    Si confonde nella mente
    La mia ombra si è stancata di seguirmi
    Il giorno muore lentamente.
    Non mi resta che tornare a casa mia
    Alla mia triste vita
    Questa vita che volevo dare a te
    L'hai sbriciolata tra le dita.

    (Lights, cars, showcases, roads everything
    Seems so confusing
    my shadow has gotten tired of following me
    the day dies slowly.
    it doesn't befit me to return to my house
    to my sad life
    this life that I wanted to give to you
    you have crumbled between the fingers.)

    Amore perdono ma non resisto
    Adesso per sempre non esisto
    Non esisto, non esisto

    (Love pardons but I don't resist...
    forever, I don't exist now
    I don't exist, I don't exist..)

  • Reflections and Lessons From My Time In The Army: The Early Years Part One

    Leonel asked me an interesting question outside the little studio where we took Rock and Roll lessons from Facundo. "What did you learn from your time in the Army?" I remember giving some lame answer like, "It had taught me how not to complain and accept the best of the situation, how was it like to know my limits etc..." The answer did not feel satisfying at all, neither did it feel justified.

    Now, sitting alone in my home, with the luxury of all the time in the world, George Micheal's Jesus to a Child and quietly reflecting on the lessons in life Army taught me, I will attempt at a better answer to that question.

    It feels so long ago. I joined the army ten years ago and I left the army two and a half years ago. I had changed much since then. Let me see if I can even get into the state of mind of a soldier and officer.

    -----------------------------------------------------------------------------------------
    It was April 1999. At the tender age of 18, after junior college, after spending all my life in the warm cares of my family, I was enlisted in the army. I was to stay 3 months in Basic Military Training Centre (BMTC), with only weekends for visiting the outside world, they call it 'book-out'. To make things more daunting, we were not able to 'book-out' for the first two weeks we enlist. BMTC was an offshore island called Pulau Tekong, the ferry from the island to mainland was around 15 minutes, but the isolation felt at that time was we were in a world away.

    Sleeping quarters were divided as 'section quarters', twelve of us slept in spartan conditions. We had a metal framed bed, metal cupboard and a small little wooden shelf. We were all processed, given number tags and called by the name of 'Recruit (sirname)'. Yours truly was 'Recruit Ho'.

    From the very first moment when we entered the military world, our young civilian life was being ripped away by the entire military system. They meant business because although it was a conscript army, the regular full-time core of commanders was strong enough for the system to be professional.

    There is no way around it. Every single healthy Singaporean teenage boy has to go through this, two and a half years in the army. The faster one adapts to his new circumstances the easier it is to enjoy and make each day meaningful.

    I had always been curious to experience new surroundings, I remember fondly the times when I was a kid spending nights at my local cousins' homes or going overseas and staying away in China for a month in my relatives' homes.

    Plus my dad and I had a very strained relationship, he wanted the best for me but somehow, growing up, I was not able to live up to his expectations of a hardworking, sensible, conservative eldest son. He was not able to live with my antics neither. I would often feel unwanted or persecuted at home. Things got to a point where a good night at home would mean that he would had not noticed me and not utter insults at me.

    So the army was an outlet for me to finally live away from home; all on my own.

    Like most other young boys, I took very well to guns, explosions and violence. Often the idea of 'Rambo', heroes who did good with their physical prowess and specifically through military might attracted me. That time when I was enlisted, 'Saving Private Ryan' was showing and it quickly became my favourite show.

    Once again, the idea of enlisting into army began to excite me, as I am sure the same way it would excite many young boys, like some sort of fantasy adventure and master class to learn how to become a fighting machine; a modern weapons expert.

    Lastly at that time I had just been dumped by a girl in after a brief one month relationship. I was feeling quite rueful; sorrow and pain always has a way of making me more focus and more determined.

    So unlike a lot of my peers, I was more than mentally prepared to leave my outside life and embrace this new one.

    My first night on the little spartan bed, as I lay in bed trying to sleep, I kept hearing planes flying overhead, Changi International Airport was nearby and every 10 minutes I could hear one plane fly overhead. "Ironic." I remember thinking to myself, how can one so imprisoned be listening to the sound of something so free? Every sound of the airplane is a little stick jabbing in the ribs taunting us about our situation.

    Physically I was always a very healthy and athletic kid. Participating in various sports and even representing my secondary school in middle distance running. But Basic Military Training was the first time in my life where daily activities revolved around physical training; performance grading and how other people judge you is dependant on your physical fitness in a very direct basis. The faster runners in the platoon are most highly regarded, the ones that could do most pull-ups were marvelled. Physical prowess determined how tough your life would feel or how relaxed it would feel.

    I remember my first day, all of us young boys had just arrived on the military premises. We were still in our civilian clothes. We sat in the parade square with our backpack of clothes, listening wide-eyed at the briefing by the man in green uniform standing in front of us. Suddenly, as soon as the briefing ended, we were ordered into a pushup position due to some infringement of rules. "Knock it down!!!" The man in green barked. Facing down towards the ground, I thought half grinning to myself, 'Welcome to the Army.'

    These first days introduced a total new world for me. Even as growing up I would look forward to the first introductions; first day of school, first day of the year, first time meeting new people and making new friends. Amidst the shock of the new environment and new system of life, new faces also tooked some time to get use to, although much less painful.

    One big categorizing factor in the life of the a Singapore kid was his/her education. The type of school, the results and the prestige of his/her education often determines the type of friends he/she makes. For example if one comes from a special stream from one of the top schools like Raffles Institute or Hwa Chong, he would definitely have a very different circle of friends, with very different style and substance of interaction; as compared to a normal stream student from an ordinary neighbourhood school. For entertainment the Raffles Institute group might talk about 'Magic Game Cards' which costs about 10SGD per card, while the group from the neighbourhood school might talk about going to the nearby street soccer court for a kickabout.

    But the army is a place where most young boys leave this sheltered, one sided, skewed level of social networkings to a melting pot of characters. Boys from all levels of education background are mixed together. And a pure english speaking St Joseph Institute chinese boy would have to contend about understanding a Changkat Changi hokkien speaking chinese boy; and we are not even speaking about communication between different races!

    Community living was the main lesson in these days, there were sideways and upwards responsibilities. Towards fellow recruits we would need to take care of each other, then upwards responsibilities towards our sergeants, platoon sergeants, platoon commander and then our god, the company commander.

    Volunteering and going out of your way towards helping out other people became a powerful way to establish oneself; volunteering to do more, extra. We were recruits, 'the lowest life form' as our sergeants would often call us. Indeed there was no downwards responsibility attached to us. The only people we really need to take care of was ourselves.

    For the observant and the initiated, it was a real exercise in social dynamics. After the initial psychological settling in, one starts to be aware of his individuality in this new system; everyone began to form his own objective for his three month Basic Military Training stint. Some just want to pass and become a normal foot soldier, or a desk bound job at some military headquarters for the next two years, many of us would be posted to the specialist corps to train and become future sergeants. But the most honourable prize at the end of this three months BMT course was Officer Cadet School (OCS): where future military officers are trained.

    Out of a platoon of around 45 recruits, only around 3 to 5 gets to attend OCS. The criteria for choosing would be based on leadership, fitness and soldiering skills shown during BMT course. For a lot of us young boys, this was a great honour. In the platoon two distinct group starts to form out: The achievers ('Siao On' - hokkien for 'crazily enthusiastic') and the black sheep. The achievers would be the group of boys who would do everything to the best and display great enthusiasm in order to learn, and demonstrate their worthiness for OCS. The black sheep would be the boys still unaccepting army life and their main aim would be to try take the easiest way out possible. Yours truly was the former group.

    Gene was a great guy in our platoon. He was an National Cadet Corps (NCC) platoon sergeant in his secondary school days, extremely fit, full of military knowledge, and possess a natural charisma with great leadership. He would always be smiling, helping out with duties and a friend to everyone. We became fast friends and I was extremely motivated by his enthusiasm. I remember during interval trainings, he would band a group of us who were all motivated to go to OCS, as we sprint across the finishing line he would lead us to shout, "OCS!". It was easy for the general body of recruits to dislike people who always shine, show extraodinary enthusiasm or superiority over the rest, but Gene, for his charisma and sincere exuberance, was well-liked by all.

    Another outstanding recruit was Vijay. He had dark shining skin, large round eyes. Physically very fit, he was the fastest 2.4km runner of the entire company. Always beaming and ready to help, mild temperance which belies his fierce countenance; not once he lost his temper. If Gene was a naturally charismatic leader in a passionate, fiery way; Vijay was one who leads quietly by example and with whom the other weaker recruits could relate and feel close to.

    The lines in the army are clearer and more sharply distinguished than the real world. Honesty and righteousness were always rewarded, dishonesty and skivving were always punished. This was the same for most brotherhood or monastic societies, where there are a strict adherence of codes; and the military codes are often in line with the moral codes to be a man. Justice, moral strength, courage, professionalism and discipline, etc. For me that was a great time in my life for character building.

    I am one of the least disciplined and responsible man I know. And in the army, two things kept me in line and made me learn how to take up more responsibilities. 1. The regimental structure of the system: any breach of discipline is severly punished. 2. The inherent desire to be the best soldier I can be, so I can get into OCS.

    Physical stress can causes some of the most uncomfortable and painful sensations a human being can feel. As a recruit it was the most powerful deterent and most direct punishment tool. Countless pushups, running non-stop, duck walk, endless situps. That was the first time I felt the precious value of being physically fit. I had weak arms and I could only do 5 pullups when I entered army. Every other night, at around 9pm when fellow platoon mates are resting comfortably in the bunk, on their beds, I, along with other weak platoon mates had to do half an hour of extra training with our sergeants.

    Not that I minded that extra training; I had been caught by my platoon sergeant in the middle of the night doing weights alone after 'lights-out' (sleeping) timing. I nearly got the platoon into trouble that time (I did in my OCS days but that's another story). I got to learn that I personally get a lot of drive and motivation from overcoming a seemingly insurmountable obstacle, from overcoming my own weakness. I also learnt that I hate appearing weak in front of the others. On the flipside I also realised I had a slight disdain towards weak individuals; not physically weak people per se, but those who are weak in the mind.

    Because it was also during those days that I understood the power of human determination. At the end of the BMT course there was a 24km route march. No matter how fit one is, the shock of a carrying a 15kg backpack, with helmet on the head, a rifle on the shoulder and walking for 24km is tremendous. The very first time we trained for a 4km route march, I almost thought I would die from the suffering I experienced in my body, I was thinking at that time, "How horrifying and impossible would it be, to go through the same thing 6 times non stop!?"

    But in the end, one does it, they always do. Every single recruit from the platoon marched 24km; everytime one of us felt like giving up and stopping, somewhere somehow, from within himself or from his fellow friends, he finds that extra inch to go on. Not only we finished a 24km overnight march, we finished at the BMTC parade square and stood motionless for 20 minutes with the pain and tiredness warcking in our body and the packs on our back, listening to some Colonel finish a speech that marks the passing out from our recruit stage of life. The human body does not fall as long as the spirit does not fall.

    It was the first time I understood; we underestimate ourselves sometimes; we underestimate desire, determination. I am capable of so many things I once thought was too painful, too impossible to do.

    Even more amazing were our superiors. I remember these interval trainings, route marches and field camps, while the recruits were all suffering, our platoon commanders, platoons sergeants and sergeants participated and did the same things with an assuming air of nonchalance. How could they manage? Where did they find the strength? In fact my platoon commander was just one year older than us! What we did with so much effort and pain, they went around doing like another day at the job. Once again, the power of the state of mind and the way the body and spirit adapts to hardship.

    I had not learnt the true magnitude of human spirit over hardship then; it was still early days, I would later learn the extreme levels in throughout my army years. But those were the first inkling of consciousness over this fierce determination which I would term 'mental limits'.

    18 years old was also the transition years from adolesence to manhood. I remember looking at my company commander, all 1.9m hulk of a man, broad shoulders and square jaw, he was 30 years old. He was a 'Guards' captain. The nickname for 'Guardsmen' were 'sandbags' because they wore khaki coloured berets. He had large round eyes and a booming voice; and the way he walked chest puffed up and pencil straight with large powerful strides, his biceps seem to be bursting out from his green uniform.

    The recruits used to be in awe of him. There was one time during a grenade throwing exercise conducted by our platoon commanders, he was walking by, did not like what he saw and he boomed out, "You guys throw worse than my grandmother!" He took a dummy grenade and hurled it almost halfway across a football field. I looked at him and thought to myself that was a presence and power of a real man.

    Captain Sandbags cuts a mean and intimidating figure. In my platoon there was a friendly and cheerful guy. He was skinny and pale and looked like he had bones that would brittle and crack with just a rugby tackle. His name was 'Lee Teng Hui'. Everyone remember him because that time Taiwan had a president by the same name. During one fieldcamp, where we learned the basic field combat skills of 'fire and movement', Captain Sandbags was overseeing the exercise. Lee Teng Hui led a half hearted charge and Captain Sandbags was unto him like a wild hound. He shook Teng Hui and reprimanded him. Without so much of a shout, Teng Hui started crying. I remember thinking to myself, "Was it really that scary? Maybe that was the difference between men and boys?" (Later on when I became a commander and a trainer myself, I would make boys cry too.)

    But yes, these men that walked about the military premises, they were not only great due to the fact that we recruits idolized them. On hindsight a great magnitude of their apparent greatness was due to our starry-eyed way of looking at them. But some of them, like Captain Sandbags really had a piercing gaze which came from deep down inside their core; which seems to say, "I have an inner strength that is greater than most mere men. I know it for a fact because I had been through hell." And I would find this look in many army men and commanders for the rest of my army tour. I remember thinking to myself, "one day, I'll want to get the same look in the eye."

    The acid test for a recruit's leadership skills and hence suitability for OCS was called the Situational Test or Sit Test for short. It happened during the last day of a four day field camp. We will form into sections of 10 men and go through stations where the empire would tell us a scenario with a series of obstacles, for example - a river is in the way and the section needs to cross to the opposite bank. Some materials like wooden planks would be available to us and a leader would be choosen amongst us to navigate our way through the obstacles using devices constructed by these raw materials.

    I remember asking my National Police Cadet Corps (NPCC) mate Meiyan to teach how to tie knots. Beautiful Meiyan was a great NPCC leader during our secondary school years and she was one of the most knowledgable police cadet during our time.

    During the Sit Test the knowledge about knot-tying came in handy and a lot of the knots were tied by me. As such, I was useful enough to the team and be noticed by the empire assessing our performance. That was when I was first aware of team dynamics; how to be a good leader and how to be a good follower, they were equally important. Most importantly how not to be an 'indian chief'. We called someone an indian chief when he tried to lead or help for the purpose of showing himself up when his leadership or help was not appropriate.

    Time flew by quickly, especially when field camps came around. Field camps were a great way to spend time. For sure it was tiring, for sure it was dirty. But the camaraderie experienced within the platoon, the adventure in the wild, the camping experience and the whole military war simulation was a hell lot of fun!

    The first time our sergeant threw a thunderflash making a loud bang in our direction, and we all had to turn immediately to our right, forming a line and charge into the bushes firing our M16s; with the putrid firepowder smell, tired legs and thick green camouflage makeup on our faces; those moments beat going to fake arcade games like 'laser quest' anytime.

    How about those times out in the field, where we had leaves and mud and dirt around us. The entire section gathered together and cooking awful tasting army combat rations. Those were strange times as the combination of hardships and the stripping away of modern creature comforts made men relate to one another in a more honest spiritual way; even the awful combat rations tasted delicious!

    Then time spent in the BMTC training quarters - our bunks - were little oasis in the desert; little islands in the sea of suffering. Boys laid around topless, in the sweltering Tekong heat, talking about our girlfriends, the army training, lying on our beds and resting, doing nothing, waiting for time to pass; these unique days of male bonding would always be dear to me.

    One thing I learnt is never to bitch. Always stay positive, no matter how hard the training is, how bad the punishments are. We all hated the negative guy, hated to listen to him complain. no one likes it. And as always, the negative guy defeats himself, loses enthusiasm and drive to accomplish tasks and suffers more in the meantime, making him more negative; a vicious cycle.

    The best amongst us, like Gene, Vijay, they even had the strength to encourage people, help people when the chips are down. They were my role models. It was also in the army I began to realise the facade of 'goodness'. When things are going easy, in a civilian setting, everyone can be Mr Nice over tea and coffee. But when you are out in the field, three days, eating army rations, with the rain beating down and sergeant hollering on you, fullpack on your back, rifle over your shoulder; when you feel so much like shit about yourself, that is the time where you face your true character, that is the time to see if you can still be Mr Nice to others, can you still help, can you still think logically, can you still be tolerant, be useful, be positive?

    I remember in BMTC, I never complained, because I never had the cause to. I loved the life, even the punishments I took it as a kind of training, in mind and body. I was friendly and cheerful; and I had boundless enthusiasm and energies. I realised when you do everything 100% it often feel better than doing it less, and it makes the thing easier than if you put in less effort and heart. But I also found out I was not by nature an inspiring leader, like Gene or Vijay; I was more like a joker in the pack.

    One friend said to me, "YY you are an excellent soldier, more suitable as a soldier than a commander." I did not mind that at all, in fact I agreed.

    Nevertheless I still dreamt of OCS and come end of the course, I was amongst the better recruits in the platoon. Peer appraisal towards the end of the course presented another side of our humanity. Everyone had to rank the platoon members from the first to the last, the top few will get to OCS. It was very much like the voting council of the reality show 'Survivors'. People started to use friendship and favours to get that ranking that he wanted.

    There was one particular guy, extremely arrogant, we all hated him throughout the course. But he begged us to put him high up in the ranking because, "I need to go to OCS to fulfil my pilot dream." He even washed the toilet all by himself for the few days leading up to the peer appraisal, just to prove a point. It was quite a pathetic show, some of us including me quietly thought he was very pitiful. Of course he did not get to OCS in the end, I think his ranking amongst the platoon mates was very low.

    Some of us really deserved to get in but did not. Gene was one of them. He was devastated. We later learnt he was arrested as a youth for some fighting before; the government does not treat such records kindly. Everyone in the company expected him to go. I remember I was very sad for him and told him not to give up hope as he was going to the Specialist Course for Sergeants, and very good performers from that course will get to join OCS midway. But that was the first time I felt the perceived injustice of the system. Or at least the helplessness of a system so huge that I could not understand.

    It was a lot of growing up in the short three months of BMT. I got to OCS eventually but a big reason was because I signed on with the army under the 'Local Study Award' study grant. I remember my platoon commander commending me on a good result and wishing me all the best for the upcoming nine months of OCS.

    His last words to me were, "If you think BMT is tough you ain't see nothing yet, in OCS you are appraised everyday, judged every single activity. And in this platoon. Gene, Vijay, you and the few are the motivated ones. In OCS every single one in the platoon is as motivated if not more than you, and it is your job to be better than them.

    "Oh and by the way, expect lots of sleepless nights." He winked as he sent me through the door. I did not know what he meant. I would find out soon enough.

  • Porteño y Bailarin

    Early November 2008

    It was a Saturday afternoon, Flor and Hung Yut, a korean professional tango couple, had just arrived in Buenos Aires earlier that week. We had just finished a rock and roll class with El negro Facundo. I called Javier and asked if we could all go visit him. I think Javier was excited to see Flor and Hung Yut, so we all went to visit him at his home around late evening.

    We settled down into a nice comfortable chat. And soon the conversation turned to tango songs. Javier started to play some tangos from his Macbook, and he started to play the orchestra we all liked; Carlos di Sarli.

    "Porteno y Bailarin, me hiciste tango, como soy, romantico y dulzon." And so it began. The best part of the night had started, Javier started to do a live translation of the lyrics of his favourite songs. It started with the famous 'Porteno y Bailarin'.

    He paused the song midway and began, "The following lyrics is written in some kind of poetic form, to understand it clearly, we need to rearrange the order of the words. 'Tango! You made me a porteno (port people, Buenos Airean) and dancer. Like the person I am, romantic and full of sweetness!'" Javier looked at us, closed his eyes, and let out a sigh.

    "Tango, your violin inspires me..." Javier started to stand up, hands pulling out an imaginary thing from inside his heart. "...your rhythm drags my soul, the bandoneon serenades me to sleep."

    Pacing around his little living room, he gestured around his home, "The author writes about this particular house, his porteno home, alive and filled with melancholy, breathing with love!" Flor, Hung Yut and I were slowly transported to another realm, by the music, the words and Javier the master painter.

    He stopped at his door, lining the door carefully, "I gave all my love to my porteno little house within her doors..."

    Then he moved to his balcony window and laid his head beside a nearby table. "And in his native/creole (criolla) house, he had a little window which the sun comes everyday to sit by it."

    Javier returned to his seat near the Macbook and paused the music, "Now after describing his little porteno house, he turns his attention to his lover. He sings, 'All my love, all the drama of my life was in my lover's voice; her hands which bid me goodbye; and her bright red carmine lips...

    "Look how clever the writer was, here he puts a twist to the lyrics. 'For her and for her love, oh tango! You made me the man I am; a porteno and a dancer.' Ayy no..." Javier half covered his face and looked at us; a look which seems to say, "my heart can't take what the song is singing anymore."

    "Listen to this!...the following lyrics is incredible! 'Que importa el sueño que a mis pilas roban, las mentiras horas de bailar sin calma.' This porteno guy, romantic and full of sweetness says, 'What did it matter to me! Even if dancing tango every night robbed me of all my energy and all my youth!' All these hours dancing with his lover in his arms, feeling in the dance the love from the woman, seducing him; captivating him, but alas! It was all a lie, because although he had danced with the woman with all his love and thought the woman in his arms had felt the same; but at the end, it was just a dance to her, not love, even though she had made him felt differently."

    At this point, I could not help but started to tear, because deep down in my heart I had felt exactly what the singer was singing.

    "Isaakito! Te emocionaste! (You are really touched eh!)" Javier saw the tears. "The following is my favourite part. 'Que importa el miedo de dar la vida si encontrar el beso que me pide alma.'" Hung Yut chirped in, "Yes you even put the phrase on your skype and msn profile!"

    "Yes!" Javier replied, "What does fear mean to me??!! Why fear giving all I have to living life? If I find that kiss which takes my soul away from me!" All of us nodded in agreement, especially fiery little Flor, who understood the least spanish but probably understood that phrase with her soul more than any of us.

    "Now that I am old, having danced all the tangos that I had within me; I finally understood: this illusion of love that I thought we had, were nothing but tangos of love, glasses of wine; and most importantly, being romantic and full of sweetness, crazy swallows that were flying about in my young heart."

    Fresh tears broke out once again from my eyes.

    (Hung Yut wrote about this night too, he recorded the translation of Esta Noche de Luna. You can read about it here.)

    ------------------------------------------------------------------------------
    One month later, Javier and Andrea were due to perform in Maipu 444, the milonga called Mano a Mano, as part of a tango festival. Hung Yut, Flor and I were there to watch their performance.

    As the two of them stood on the dancefloor ready to perform, the rousing violins of 'Porteno y Bailarin' filled the room.

    Javier turned and winked at me.

    ------------------------------------------------------------------------------
    PORTEÑO Y BAILARIN
    Letra de H. Marcó
    Musica de Carlos Di Sarli
    Versión de Jorge Duran

    (PORTENO AND DANCER
    Lyrics by Hector Marco
    Music by Carlos Di Sarli
    Version of Jorge Duran)

    Porteño y bailarin,
    me hiciste tango
    como soy,
    romantico y dulzon.

    (Porteno [Buenos Airen] and dancer,
    you made me tango,
    like [the man] I am,
    romantic and [too] sweet.)

    Me inspira tu violin,
    me arrastra el alma tu compas,
    me arrulla el bandoneón.

    (your violin inspires me,
    your rhythm drags my soul,
    the bandoneon lulls me)

    Melancolica casita suspirando amor,
    le di en sus puertas mi querer
    y en tu criolla ventanita recostada al sol,
    rompio mis cuerdas el ayer.

    (Melancholic little house breathing with love,
    I gave [the house] my love in her doors
    and in your creole little windows lies the sun,
    [which] broke my bonds of yesterday.)

    Todo mi drama
    esta en tu voz,
    en tus manos el adios,
    labios de carmin.

    (All my drama
    is in your voice,
    in your hands the goodbye,
    carmine lips.)

    Por ella y por su amor,
    me hiciste tango como soy,
    porteño y bailarin.

    (For her and for her love,
    you made me tango like how I am,
    porteno and dancer.)

    Que importa el sueño
    que a mis pilas roban,
    las mentiras horas
    de bailar sin calma.

    (How important is the weariness
    that from my life force were draining,
    those false hours
    of dancing restlessly.)

    Que importa el miedo
    de dar la vida
    si encontrar el beso
    que me pide alma.

    (How important is the fear
    of giving [all] in life
    if I find the kiss
    that takes my soul away.)

    Hoy se que fueron,
    tangos de amor y copas,
    golondrinas locas,
    en mi corazón.

    (Today I know that they were,
    [nothing but] tangos of love and drinks,
    crazy swallows,
    in my heart.)

    Porteño y bailarin
    me hiciste tango
    como soy,
    romantico y dulzon.

    (Porteno and dancer
    you made me tango
    like [the man] I am,
    romantic and [too] sweet.)

  • 十年一作

    好久没起笔用中文写作了!不过今晚深夜展转难眠,闭目思潮起伏。一幕幕尼泊尔
    (NEPAL)的回忆有如电影画面般历历在目。

    而有趣的是,脑子里随着这些回忆画面都是中文叙字和声音。有道:“山明水秀”,
    可能是小时候读的充满诗意的中文篇章,随着尼泊尔在我身上留下来的深印,在凌
    晨五点半的深夜里,一起舒发出来吧!

    ----------------------------------------------------------------

    时间,就有如一位老伯,他的脚步慢慢的一步步向前进。我在尼泊尔的山脉远足已
    经有十来天了。而时间的脚步,在这深山峪岭里感觉真的好慢,好平静。

    那天下午,我独自坐在一道粗造水泥道路的沿边。安静的观视这个被深山环绕的小
    村子。

    身处在这村子的最高点,我背向高山,放眼望去,整个村子都在我的视线里。远处,一群小孩在一片草地踢着足球,嘻哈作乐。 草地旁一排排的小屋,白烟从小屋们里轻轻升起;快要是晚餐时间了。

    我的视线随着小孩,小屋,轻烟的伸展,慢慢地往左边的山脉望去,又慢慢地随着
    被深山树林刻画出的山线,望向身后的高山。

    一阵微风迎面而来,我闭目合眼, 心摇神荡,此时我与天地和一,更正确来说,大
    地把我容入在她怀抱,我一瞬间变得如沙般渺小,同时又有如大地一般辽辽无边。
    身后的高山,沉静无声。一株株松树高攀向天,直升白云,随着微风摆动。一阵感
    动:“这就是大自然吗?”

    “NAMASTE! (尼泊尔的‘合掌’敬礼 )”一个清脆的女儿声把我从梦境中轻轻唤醒。
    两位尼泊尔小女生微笑好奇地望着我,叽喳做声,比手划脚。

    我望着她们,心中说不尽的舒畅,说不尽的喜悦,说不尽的平静。

    ---------------------------------------------------------------

    十年没动笔,好多字都忘了。写起来也有点生疏。不过感觉很好。而且也察觉到,
    用中文描叙风景,诗意浓;描叙心灵深处的感觉,字少意深,点到为止。比起用英
    文或西文,别有一番风味。

  • Midsummer Nights' Tango Introduction Series Final Part

    My final post for the participants of my tango workshops in Singapore.

    -----------------------------------------------------------------------
    What is a Milonga?
    After the numerous classes, workshops and practicas, what is the ultimate aim of learning argentine tango? To dance in the milongas! Of course!

    A milonga is a dance party where all tango lovers come to socialize, listen to nice tango music, check out the scene and most importantly dance!

    Why go milongas?
    Now we have group classes, private classes, practicas and numerous classes. Long time ago when tango first started, no one took the dance seriously in this academic way, nor did they have the money to pay for classes.

    What they did have, is a sense of pride; not to be a worse dancer than the guy standing beside him; a great sense of old school chivalry, an unspoken promise to the women in their arms that they will enjoy the best of times while dancing with him.

    So how did they learn then? The milongas were their school. The senior milongueros and milongueras were their teachers. Lessons were given out of passion for the dance.

    These days, even with classes and practicas, a milonga is still the best learning environment. No matter how much you practise in front of the mirror or with your partner, that ocho cortado move, that little boleo embellishment; you will never be sure you got that move correctly until you try it with different partners on a social dance floor.

    Roles of Men and Women
    I really love what Cacho said in one of his interviews, "(On the milongueros) The pleasure he feels, he transfers with elegance to the woman's body. She, in turns, follows him, generally with eyes closed. She follows like a perfume he is wearing, she sticks together in this joyful journey..."

    "... There are also many milongueras(women tango dancers), many, and very good. They are ageless. Their posture, the charm of their footstep, and the subtleties of their movements make for the man's inspirations, and it's them who make the man shine. They are simply chiche bombon!!!"

    In this dance, it is really a gentlemanly invitation by the men for the ladies to join them in a good time. Women are queens and men are their knights. The things men do, are really inspired by the desire to make women happy. Women also allow themselves to be treated like a real lady; rare in this sexless modern society of ours. In turn, in their own lady like ways, inspire the men during the dance to greater heights.

    Tango is really a 50 – 50 conversational dance. Not a chauvinistic lead and follow dance as commonly misunderstood.

    Etiquette
    In a dance so close and sensual, there are some general common sense etiquettes to be observed.

    - Smell nice. Wear perfume or deodorant.
    - Be polite.
    - Don't be afraid to say no to a dance; likewise don't be offended or afraid to ask again after being turned down. This is after all a social dance; you get to choose who you want to dance with, no obligations nor pressure.

    There are many more tips, you can refer to my blog post 'Practical Tips for the Social Dance Floor'.

  • The Ideal Life

    "...but the activity of reason, which is contemplative, seems both to be superior in serious worth and to aim at no end beyond itself, and to have its pleasure proper to itself (and this augments the activity), and the self-sufficiency, leisureliness, unweariedness (so far as this is possible for man), and all the other attributes ascribed to the supremely happy man are evidently those connected with this activity, it follows that this will be the complete happiness of man, if it be allowed a complete term of life (for none of the attributes of happiness is incomplete).

    ...for man, therefore, the life according to reason is best and pleasantest, since reason more than anything else is man. This life therefore is also the happiest.

    ...But, being a man, one will also need external prosperity; for our nature is not self-sufficient for the purpose of contemplation, but our body also must be healthy and must have food and other attention. Still, we must not think that the man who is to be happy will need many things or great things, merely because he cannot be supremely happy without external goods; for self-sufficiency and action do not involve excess, and we can do noble acts without ruling earth and sea; for even with moderate advantages one can act virtuously (this is manifest enough; for private persons are thought to do worthy acts no less than despots-indeed even more); and it is enough that we should have so much as that; for the life of the man who is active in accordance with virtue will be happy."

    - Excerpt from Nicomachean Ethics, Book 10, by Aristotle

    -------------------------------------------------------------------------------------------

    Some 2350 years ago, 350 BC, the great philosopher Aristotle had already written down the key to human happiness. Of course he was preceded by his teachers and many philosophers before him like Plato, Socrates, etc.

    But the point remains the same: The ideal life is one of contemplation and rational reflection; and then acting and carry out one's actions as a consequence of this virtuous contemplation.

    How ideal it will be for me! To one day be able to live a life of quiet reflection!

    The picture painted in my mind of this eventual peaceful contemplative mode of existence:

    A small wooden cabin in some countryside woods close to a lake. Reading, reflecting and writing; on the life I would have lived, the things that I had seen and experienced and the passions which I had encountered.

    Waking up to an hour of daily sharpening of the body, by the physical trainings I had learnt so far, from military, from athletics, gymnastics, boxing.

    Then the time of the day to earn my keep, to maintain a humble living. A skill that allows me to work and create with my hands; carpentry, clothes making, shoe making and/or painting etc; for the human hands are capable of such magic and industry. And creating something useful is the closest act of God humans can emulate.

    As the day winds down, a time to connect spiritually and emotionally. An hour on the piano, a few tangos danced with a loved one. As the rational mind is limited and is only one part of the beauty of the humanity; inside us lies a beauty that can only be felt emotionally and spiritually, unable to be grasped by logic, yet necessary for us to stay in touch with.

    Finally the evening would end. And the night time is the best for contemplation and reflections.

    The external world is filled with wonderous things for us to learn and experience. Yet the internal world of philosophy, literature and human knowledge in general, is just as vast or might be even more infinite.

    The ideal life for me would be spent in reflection, contemplation, exploration, learning and understanding of this vast internal world.

    Hopefully, I would had spent my youth not in vain, experiencing the external world profoundly. And calming sufficiently the wanderlust in me, to be able to live in this ideal life of quiet contemplation.

    Maybe in the end, I would never be able to calm this wanderlust. Then I guess the wooden cabin would have to go... Replaced by a backpack. :)

  • Midsummer Nights' Tango Introduction Series: Part 3

    Another incident which illustrates why the dance without its culture is reduced to just a series of senseless movements:

    Andrea Misse was giving another friend of mine a private lesson and she was explaining a movement call the 'pass-over from a parada'

    (To the non tango readers: The man leads a forward step for the woman but puts his foot in the way. Usually he pauses for awhile at this moment, hence the name 'parada' (spanish for 'stop'). The woman has to skip over the man's foot which is in the way, hence the term 'pass-over'.)

    "Long time ago, this little movement had lots of hidden meaning loaded in it. At the moment of the 'pass-over', the woman can choose to brush against the man's foot and leg suggestively, which means, 'hey baby let's get it on.' Or the woman can choose to give the man's foot just a light tap which means, 'this is just a dance my friend.' Or the woman can tap her own foot impatiently underneath herself which means, 'this is boring, yawn!'"

    "But many women now just do it automatically as part of a memorised choreographed 'embellishment' without understanding the subtleties; the meanings they can convey."

    "In other words many embellishments which used to be 'words' of the dancers are now meaningless movements. And men and women who used to communicate with each other through all these movements and gestures are now mute."

    --------------------------------------------------
    Midsummer Nights' Tango Introduction Series: Part 3

    Characteristics of Tango

    What makes Argentine Tango, tango? Where does it's magic lie, why is it so addictive? Why is it one of the hardest lead and follow dance? Here might be some reasons why.

    Embrace

    Imagine embracing the close friend you have not seen for a long time; embracing someone you love. So much emotions and words to tell each other, but conveyed and transmitted to each other in that silent and peaceful embrace.

    For tango, you start and end the dance in this embrace. When a man and woman move into each others' arms, they embrace each other with love and gentleness, enjoying the musical and emotional journey as one, as long as the tango lasts.

    Connection

    Argentine tango is a pure social dance. You do not dance tango for competitions; nor for exams; nor for judges; nor performance. You dance tango for your partner, for yourself, for your own enjoyment.

    Like an intimate chat between lovers, looking deep into each others' eyes, talking in a low hushed tone; tango is very private, everything you need to say is only for the two of you to hear. For the 4 minutes, the only person in this world is you and her, totally connected. That's why they say, in tango, you dance as though no one is watching you.

    Walk

    The language of tango can be simple or complex. But most importantly, tango is elegant, tango is musical, tango is full of subtleties, tango is improvised.

    Jean Michel my first tango teacher says, "Tango is about doing one step in hundred ways, not doing hundred steps in one way."

    Cacho Dante says, "When I first learned to dance I did ten steps, when I got better I did fifty steps, but when I truly knew how to dance I did five steps; but with real quality."
    Tango is one dance where you can express the full emotions of the music just by walking. Because even in the walk, every small little nuance and feeling can be led and followed; even the simple walk there is no choreography.

    Music

    A lot of social dances the dancer dances a happy, joyful feeling; or a single range of musical feeling. However, in tango there is a full range of emotions and feelings. Sadness, nostalgia, romantic, intense, dramatic, happiness, aggressiveness, sweetness; all these feelings can be felt even in a single piece of music.

    In Buenos Aires, you can still see milongueros shed a tear when dancing to their favourite heart wrenching tango tune. And the most amazing thing is, you can share this emotion with anyone from any part of the world, even a complete stranger.

  • Johor Porn Party: JPP

    Its been ten years since it happened. A little trip down the memory lane... still fresh like it happened yesterday. A funny little recollection that brings a smile everytime I remember it and a laugh everytime I tell it.

    --------------------------------------------------------------
    December 1999.

    We were eager, strapping army officer cadets, all nineteen years of boyhood, bursting with vigour and anticipation of the manhood to come.

    Bravo Wing, OCS cadet corps had just completed a gruelling one month jungle training in the savage tropical jungles of Brunei. For one month we went through battle procedures and drills in the thick, wet vegetation; and also went through an especially signifigant, life-changing experience for all of us young cadets: The Jungle Confidence Course (JCC).


    (I failed this Confidence Course as an officer cadet trainee, having failed to meet the cut-off time to navigate back to the base. Five years later, as a commissioned officer, I would try again and pass.)

    After one month of Brunei jungle training, we had a one week vacation for us cadets to recharge our batteries before the last phase of our officer cadet course. Me and my fellow platoon mates were decidedly bored and were thinking of a little trip to Malaysia, our neighbour country.

    So mission 'JPP' was conceived. Young minds and its crazy ideas; influenced by our time in the army, every other plan deserved some military codeword, every other actions were influenced by some military 'S.O.P' (standard operating procedures).

    'JPP' stood for 'Johor Porn Party'. As most of my friends did not do very well for 'JCC' the 'Jungle Confidence Course', many did not get the 'JCC' military badge. We decided to reward ourselves the badge of 'JPP'.

    The idea was to go to Johor Bahru, the nearest malaysian city across the Singapore causeway, for a sumptous seafood dinner and then spend the night and next day at a nearby beach resort at Desaru.

    So where does the porn party part come in? The plan was to check out a 'Tiger Show' in Johor Bahru after dinner, before we head to Desaru.

    (For the uninitiated, a 'Tiger Show' is actually a live sex show, with the performing women doing acrobatic stunts with their vaginas, e.g. shooting ping-pong balls or darts.)

    This plan generated quite a buzz amongst us as you can imagine, a bunch of innocent Singaporean nineteen year olds, more than half of which had never seen a real life pussy before, after one month training in the mosquito infested jungles of Brunei; going through the whole jungle confidence course (JCC) without succeeding and getting the badge. One can see why we were all excited about JPP.

    After a superb seafood dinner over-flowing with chilli crabs and deepfried cereal kingprawns, it was time to execute the big plan; the porn party.

    To put that into perspective; upper middle class singaporean boys, well educated and of supposedly upright moral character, something like this was both unprecedented in our lives and outrageous: being in a foreign land going to see some live sex show.

    As such, some of us chickened out after the dinner and decided to go back home to Singapore. The rest, about seven of us, who decided to carry out the plan, were filled with an exciting anticipation of the night and a sheepish feeling of guilt, the same guilt like how young boys feel after masterbating.

    The night went downhill from then on; for us young, inexperienced and sheepish boys, everything that could go wrong went terribly wrong...

    First of all, no one in our group knew where to find such shows. Imagine Malaysia, a muslim country where pornography rules were stricter than Singapore, none of us had the guts to approach anyone to ask neither.

    So what did this lost, sheepish, but excited group of young nineteen year olds decided to do? Ask the taxi driver. We thought, a taxi (cab) driver will know just about every nook and cranny and dark corners of the city.

    And we did not ask just any taxi driver on the streets, but the first taxi driver from the taxi stand outside of Johor Bahru busiest shopping mall, where the queue behind us was around 10 meters long.

    DC, a handsome chinese version of Leonardo Di Caprio, usually the most outspoken of the group went up to the taxi driver and asked with his half past six melayu, "Eh Ahbang, di manakah 'tiger show'?" (Where is a 'tiger show'?)

    "Tiger show?" The malay taxi uncle looked bewildered. DC began to flush deep red, "You know, 'ping pong' show? Err sex show?"

    "Ah okok boleh..." The taxi uncle got it. "I am not sure, but wait here." The taxi uncle stood out from his taxi and shouted back towards the whole line of taxi waiting behind him, "EH THESE BOYS WANT TO SEE A TIGER SHOW, ANYONE KNOWS WHERE TO FIND ONE???!!!"

    Its like the theatre went dark and a spotlight beamed upon the seven of us. And worse, we were naked.

    A hand went up a few taxis behind the first one. "THEY WANT TO SEE TIGER SHOW IS IT? OK COME!"

    Amidst the murmurings and stares of the queue of people waiting behind us, we hurriedly boarded the taxi and another behind it.

    While driving us, the taxi uncle began to talk excitedly, "Boleh lah! You want to see 'tiger show' is it? I know just the place! The girls very cantik one... maciam princess ok. Oh you from Singapore. There are some Singapore girls there too! Tak boleh tahan!! They are the prettiest!!!"

    After a few turns around the neighbourhood, the surroundings assumed an omnimous and dark character, with sparse and dim streetlights. Feels about right, a sleazy place for a sleazy activity.

    "There you go ahbang! Your 'tiger show' enjoy!' The taxi driver stopped us in the middle of the dark neighbourhood, the only light emanating from a huge red neon signboard shaped in our Singapore national logo, a stylized lion head. And the name of the joint: 'Lion City', a moniker for Singapore.

    "Hey YY (my nickname amongst my platoon mates, my chinese name is Yan Yang.)! How come they have our Singapura logo?" AC, the most muscular guy amongst us asked. He was a school representative for dragon boat, but his gentle and mild mannerism was a stark contrast from his physical size.

    As we stepped into the premises of 'Lion City', I noticed it was a small dimly lit club, very quiet with small groups of two or three people huddled in dark corners; hushed and silent. The walls were lined with television sets of images of music videos and words.

    "Wait a minute." I thought to myself. "This looks like a KTV (karaoke) lounge." The trouble was, amongst us, no one actually knew how or what a 'tiger show' should look like.

    "Eh YY, ji pai siao liao lah (hokkien phrase - we're screwed this time). I think we've just walked into a 黑店 (literal translation, 'black shop' which means a place where customers are fleeced)." KC whispered to me. KC's nickname was 'wildboar', a rough looking guy; straightforward character and probably the most 'by the book' amongst us.

    A man led us deep into the club to a small private room. "Ok gentleman, what can I do for you today?" By the time we were seated down, all of us had half our minds to leave, but we were all too intimidated.

    "Er-hem, we want to see a 'tiger show'." DC said. "Tiger show?" The man hesitated for a moment, "Sure give me a moment, I'll bring in the girls." He left the room and shut the door behind him with a wry smile.

    Silence. The seven of us were left alone in the room. We were seated in a semi-circle sofa, with the opening of the semi-circle leading to the door. There was nothing in the room except for a rectangular coffee table in the middle. We looked at each other with the same excitement, only this time the guilt was replaced by something more omnimous; the feeling of something was wrong with the place, rather than we were doing something morally incorrect.

    The door opened and an elderly lady with greyish curly hair walked in. She sat beside AC and began to smile at him with her yellowish teeth, then at all of us. Then more ladies of similar age and appearances walked in. The man was last to enter and he said, "ok gentleman, how many of these beautiful ladies would you like for your 'show'?"

    At this point all of us were dumbfounded. We stared at the women, most of them old enough to be our mothers and a few of them old enough to be our grandmothers. Sure some of them had low plunging neck line dresses, or red rougue on... but that did not cover up their wrinkles and saggy arms. That was so far removed from the fantasy we had pictured in our minds: nubile, sweaty, young naked girls.

    Hence, once again, silence reigned. Only this time there were not a single inch of excitement left, nor guilt. We only felt fear; the deep deep fear of the choices we had to make. Leave this place and how? Or forever destroy our virgin 'sex show' experience?

    I was the only regular soldier then, earning more pay than the rest of the gang. Hence I was unofficially financing this little adventure, I had to speak out, "Ok can we have a moment alone to decide?"

    The man, who we now guessed was the boss of 'Lion City' was half amused as if also experiencing a new situation for the first time himself. "You need to decide? Just take all my beauties here! Ok if that's what you want. Let me know when you guys made the choice." He and his harem streamed out.

    The moment he stepped out DC shrieked, "Oh shit oh shit oh shit! The first woman came in and I thought she was the 'ah soh' (auntie) coming in to clean up the place." He was half suppressing a laugh.

    The hilarity of the situation were getting into us. At that point I felt like I was in a horror comedy movie; 'American Pie' feat 'From Dusk Till Dawn', with 'Hotel Carlifornia' as the theme song.

    "They all look older than our mothers! Oh shit oh shit oh shit!" KCO a.k.a. 'Wendy' said. KCO was one of the fastest middle distance runner of the platoon but he was small in size and had very fair skin, so we all call him 'Wendy'.

    We did not know if we were to cry, be angry or laugh. But it was a strange mix of all feelings. "Ok, let's just go with the least ugly one, get on with the show, pay for it and get the fuck out of here." I said.

    Somehow, none of us had the guts to just stand up and leave, even though that was the thing all of us wanted to do. The fact that we were in foreign land, in a sleazy looking place probably ran by traids, we were cowed into staying and letting the act run its course from the motions we first set in place.

    "So we all agree the second one from the door is the least ugly?" BT the only indian in our group said. "Yes yes, I think she was the slimmest and probably the least elderly." We all agreed.

    I think the discussion took so long that the boss did not wait for us to call him in. He came in halfway through our discussions and demanded an answer; surrounded by all the elderly women.

    "Ok we'll take her." DC said, pointing at the one we all agreed upon. "And who else?" the man asked. "No one, just her." DC repeated and we all nodded. "If that is what you want. But you really don't know what you guys are missing." The man left the room slightly irritated with the rest of the ladies, leaving the one we chosed behind.

    "My name is Sandy." Closing the door behind her, "I heard you guys want a tiger show right?" Sandy was a chinese lady probably in her late forties, slim and wearing a clingy black little dress. Her face looked mature and were covered by wrinkles usually found on people who worked for a long period of late nights. "Ok I'll GIVE you your tiger show!" She laughed and her eyes gleamed wildly as she said that, assuming the role of a wanton experienced woman in control over a group of young boys. Within five seconds, she was stark naked. No slow sexy stripping, no sensual movements; faster than the fastest soldier in a uniform change parade.

    What followed was a life-changing moment.

    Sandy was naked in front of the door. Around the door all of us were sitting in a semi-circle. On her right, the start of the semi-circle sat Moby. Moby was the pushover of the platoon, usually the butt of all our jokes; he had a uni-brow, big round eyes, flat nose and looked like a funny japanese comic book character, and behaves like one too. Directly on her left, the other start of the semi-circle sat I, yours truly.

    "So who should I service first???" She swept the room with her eyes. I'll never forget that wild gleam in her eyes. It happened like in slow motion, her gaze lingered on me for a second and then she settled her eyes on Moby, turned, and suddenly her naked body was up in the air and she pounced on Moby. She sat facing him, straddling him with her thighs.

    Ever watched movies which played on decision making and future scenarios; like 'Sliding Doors', 'Back to the Future', 'Time Machine', etc? It could have been me. My first taste of breasts could have been Sandy's late forties tits. But unfortunately for Moby, it was him.

    "来,我来帮你洗脸!!!" ("Come, I'll help you wash your face!!!") She cried, pushing Moby's face into her tits and started to mash them around his face. The others looked on in horror. While I looked on with horror and a great feeling of relief.

    Moby was immobilized. We could only imagine he was paralyzed with shock. A late forties woman sitting on him and squeezing her tits on his face, his only movements were small twitches on his fingers and small jerks with his legs; like a man electrocuted. That moment, Moby was also immortalized in our minds.

    After terrorizing Moby for a few minutes, she looked up at the next person in line, AK. AK was the only one amongst us with a girlfriend. He did not want to come but was dragged along. Little did he knew what was in store for him.

    I was sitting right across AK when she pounced on him. And I'll never forget the look on his face. "来,我请你吃鲍鱼!!!" ("Come I'll treat you to some abalone!!!") Sandy cried and stood over the sitting AK, and sat on his head. It was a strange moment because Sandy had her pussy right smack on AK's forehead and we could all see AK's expression of horror peering through her butt naked, wide open legs. Suddenly Moby's plight did not seem so terrible afterall.

    Next up was 'Wendy'... Credit to Sandy, thinking back, how did she came up with all these crazy stunts? Because as Sandy pounced on the bespectacled Wendy, Wendy avoided her, she then grabbed his spectacles and said, "我来帮你洗眼鏡." ("I'll help you wash your spectacles."). And proceeded to rub his spectacles vigorously with her pussy. Then she proceeded to help Wendy put his spectacles back on.

    At this moment the rest of us, AC, KC, BT, DC and myself, we slowly huddled together, away from the scene of carnage. I could feel these guys all squeezing towards my end of the semi-circle.

    "Who's next hahaha???" She turned around laughed gleefully. It almost felt like she was the paying customer; She should be, because she was the only one having fun here.

    Next in line was DC but he cried, "No no its ok!" and started to stand up. Sandy laughed mockingly, "why are you guys so shy?" She turned and chased after DC towards our direction. Like pedestrains running away for their lives from an impending car crash, the rest of us stood up and started running away too.

    The situation completely broke down into a farce: A naked late forties woman, running circles, chasing young nineteen year olds around a tiny coffee table of a crammed karaoke room. A situation one finds hard to believe even when happening to him that very second.

    "Stop stop, we've had enough, here let me pay you and we have to go." I cried desperately, pushing some money for her. Sandy had her fun terrorizing us and left, taking the money.

    The rest of the elderly women streamed into the room once more. Some gesturing to us the famous 'cock-sucking' gesture, winking and smiling. I handed out money to all of them, just to placate them and drive them away, finally I gave the boss more money and we bundled clumsily out of 'Lion City'.

    As the 'Lion City' doors slam shut behind us, we all burst out laughing. The fear was replaced by a feelings of the comical hilarity of the situation and relief of getting out of that place.

    "Hey don't let my girlfriend know alright?" AK said woefully, wiping his forehead. The rest of us turned around and everyone made a 'pussy' sign with our fingers and placed it on our foreheads.

    We turned around and took a picture in this pose, with 'Lion City' and the national symbol of Singapore as our background.

    Too bad the picture never got developed. :)

  • Midsummer Nights' Tango Introduction Series: Part 2

    Javier (Rodriguez) said something during one of his private class to a chinese lady, in which I was there as a helper: "When you dance argentine tango, you have to try to think and act like a argentine woman."

    "The tango is a latin dance, the women's body has lots of sensual movements, their butts are proud and showing off. The argentine women are never submissive. They are aggressive, passionate and 'in your face'. When they dance, they can be quite the bitch!"

    "For example, if one day I were to try to learn Japanese 'Kabuki', I would have to think and act like a Japanese too! Without this spirit, the dance is empty and would just be a series of movements."

    "So instead of dancing tango like an (stereotypical) oriental woman; submissive, shy and timid. You need to channel the 'bitchiness' inside you, like an argentine woman!"

    "And no matter how much good technique or posture you have, without this spirit, tango would just be another empty dance for you!"

    -----------------------------------------------------------------
    Midsummer Nights' Tango Introduction Series: Part 2

    Dear friends,

    There is a famous saying in tango amongst the milongueros, the seasoned social dancers of Buenos Aires; 'Tango first enters through the ears, then reaches the heart and finally comes out from the feet.'

    Like any dance, tango is not just movements or fanciful figures, but a heartfelt and soulful expression of the tango music.

    So to really fall in love with tango, you must first know and love the music.

    Un abrazo tanguero,
    Isaac

    Golden Age

    The tango music mostly used for dancing is from the 'golden age' of tango, 1930s to 1950s. The tangos from this era are nostalgic, non pretentious and usually about the treachery of romantic relationships. They usually sing about the homeland the immigrants left behind for Argentina, the new lands of Argentina; the love ones they left behind and the women who broke their hearts.

    There are countless of tango orchestras from this golden age. Just like different orchestra leaders have different taste and personalities; music from different orchestras sound different.

    I'll leave the detail exploring to you, but here I'll start you off with three of the most famous ones.

    The Orchestras

    Juan D'Arienzo – King of the beat
    "In my point of view, tango is, above all, rhythm, nerve, strength and character." – Juan D'Arienzo

    D'Arienzo's music is rhythmic, powerful, playful and extremely infectious to dance to. It is characterized by an underlying steady, driving beat, above the beat plays different melodic variations of other instruments or the singer. Very often the heart wrenching melody is played by the violin.

    Listen to some tunes from Juan D'Arienzo.
    El Puntazo
    Pensalo Bien

    Carlos Di Sarli – Epitome of Tango Salon
    "The piano led in a suggesting way, with an embellished bass line, which turned into a trademark of the maestro, linking the bars of the piece and stressing the delicate, elegant rhythm, especially for dancing." – www.Todotango.com

    Di Sarli's music is always elegant, delicate and full of subtleties by the piano. His mid-era compositions were romantic and melancholic. His late compositions changed to very formal, profound, full of grandeur and expansiveness.

    Listen to some tunes from Carlos Di Sarli.
    Tu el Cielo y Tu
    A La Gran Muneca

    Osvaldo Pugliese – Tango Fantasy
    "If Di Sarli is the epitome of tango salon, then Pugliese is the epitome of tango fantasy." – Javier Rodriguez

    Pugliese's music often tells a story, great rises and falls; sweet moments and brutal moments; the beat drives and then disappear and reappears again. It is very intense, dramatic and passionate. One dances Pugliese not in moving, but often in the intense pausing.

    Listen to some tunes from Pugliese.
    La Yumba
    Nochero Soy

    (references www.todotango.com)

  • Midsummer Nights' Tango Introduction Series: Part 1

    In July 2008, I went back to Singapore to give a series of tango workshops. There were already more than four pairs of tango teachers existing in our small tango community of Singapore. In which no more than twenty dancers could really call themselves regular and hardcore tango addicts who dance every week.

    Hence the main challenges I faced were: What made me special from the other teachers? How could I attract students? What could I offer to the tango community that the other local teachers could not?

    I thought to myself one very obvious advantage I had was the fact that I had been in Buenos Aires dancing tango for the past two years. Which no one else in Singapore could say they did the same.

    So my tagline was "Bringing Tango from Buenos Aires to You". True essence that separates just a series of dramatized choreographed movements from the real tango; the 'Buenos Aires tango'.

    True essence which separates the fake 'Made-in-China' Armani t-shirts and the real ones. That which separates an americanized 'chinese chop suey' and real exquisite cantonese food.

    Essence of true tango from Buenos Aires... What an ambition. What snobbery. But is not it the very thing thousands of tango pilgrims come searching for in Buenos Aires?

    What then? I asked myself... Is so special about this 'Buenos Aires tango'?

    For the lack of a better word; culture. This thing that makes 'Buenos Aires Tango'; that makes it 'porteno'; that makes it authentic, is the whole culture behind the dance.

    So what then? Is the 'culture' of tango? That would include the social codes and etiquette of the milonga, the different dance styles and the reasons for their existence, the history of the dance, the music and so much more.

    Hence, while I was back in Singapore as a much better dancer technically; while I had learnt some complicated and exciting sequences; while I had observed and copied some fancy women's feet adornments; the most important thing I possessed were the firsthand experiences and insights about the cultural aspect of the dance.

    The things I got after two years dancing in the traditional milongas of Buenos Aires; with the argentine dancers... they really got something the very few foreigners possess.

    The things that I really wanted to convey to the participants of my workshop. Hence I wrote a series of articles which were called 'Midsummeer Nights Tango Introduction Series.' In hope to open the door for my students, to the essence of this wonderful dance called tango.

    ---------------------------------------------------------------
    Midsummer Nights' Tango Introduction Series: Part 1

    Low Class Beginnings

    Around 1870s, a large number of European and african immigrants came to Argentina, Buenos Aires. Bringing along with them their native music and folk dances. These European folk dances; polkas, waltzes, were mixed with the African candombe and other South American folk dances, particularly the 'habanera' from Cuba. A new type of dance was formed the 'milonga'or 'tango'.

    At that time, 'tango' or 'milonga' also meant a place to dance or a gathering place. Indeed amongst the gathering places of the low class immigrants in the busy port of Buenos Aires, the dance and music of tango flourished. They were typically poor and desperate, hoping to make enough money to return to Europe or bring their families to Argentina. The evolution of tango reflects their profound sense of loss and longing for the people and places they left behind. These men would meet and dance with prostitutes in a scandalous 'close hold'; chest to chest and cheek to cheek.

    In those days, men outnumber women greatly; as such even prostitutes had to be impressed and seduced by the men's dancing skills. Men would practise amongst men before getting good enough to dance with women.

    But tango soon found itself to the rich upper class young men of Buenos Aires. These young men would visit the slums of Buenos Aires and their brothels. They were fascinated by what they saw. How exciting and scandalous this dance is! Bodies rubbing together, legs invading each other's space, with flirtatious looks and caresses; they were enthralled and began to teach their upper class female cousins and friends.

    Although the dance began to spread to the mid and upper classes, tango remained pretty much a vulgar, low class dance between the gangsters, pimps and prostitutes.

    Europe and Tango's Golden age

    In the early 1900s, the rich sons of Argentina began travelling back to Europe, especially Paris. The high society of Paris embraced this risqué and innovative dance of the young and wealthy latin men. Tango spreaded from Paris to the rest of Europe; it was the dance of the moment!

    The upper class argentines were forced to accept this once low class and rejected dance as a form of national pride. Tango returned to Argentina with triumph and thus, ushered in the golden age of tango, which lasted from the 1930s to late 1950s.

    Military Junta and Tango's Decline

    Tango's decline started in 1950s, where there was great economic depression in Argentina and Argentina was ruled by military dictatorship. The dictatorship banned the dance as the music started to become political. At the same time, rock and roll became very popular, taking over tango.

    Resurgence

    Mid 1980s, the show 'Tango Argentino' opened in Paris and received critical acclaim worldwide. Once again, tango was popular. Late 1990s, Gustavo Naveira, Fabian Salas and Pablo Veron introduced the 'tango nuevo' style. Since then, many different tango academies emerged and tango is currently a worldwide phenomenon, reaching even our tiny Singapore shores!

  • It's not personal, It's strictly business.

    "It's not personal, It's strictly business."

    Michael Corleone, played by Al Pacino, immortalized these words in the film 'Godfather'.

    And this was what I learnt in the organization and execution of my 'tango summer workshops' project, which took place this year July.

    I was due for a school vacation, visiting my lovely little country, Singapore, for the month of July.

    I thought to myself in April, that when I am back holidaying in Singapore for the month of July, I would very much like to have my very own dance space where I could have the tango music that I enjoy, instead of the current offerings of Singapore. Also, I could take this chance to share with the Singapore tango community what I've experienced and learnt from the Buenos Aires tango scene.

    Between April and June, what started out as a little project between me and my three-man Singapore team (Valerie, Su-Lyn and How Meng) snowballed into something rather ambitious. In the end we organized and conducted about 40 hours worth of group classes and practicas; 3 milongas and I gave private lessons almost daily, sometimes up to four privates per day.

    In the month of July, the participation rate of the tango workshops registered up to over 50 people per class and our first milonga had a participation rate of up to over 70 people.

    It was a huge success, due to many factors; the timing of the economy, the fact that I was coming from BsAs, the supportiveness of the local tango community, etc...

    Two things I've learnt or made aware of. Firstly, that if you want to make it profitable, then it has to be run like a business. Or at least with the same methods and ideals that a well organized business would respect.

    And if it's business, then its nothing personal. Especially when it comes to human relationships. Infighting exists amongst every social community, even in our little tango community; which could hardly muster thirty regular dancers.

    And disappointingly so far, the internal disagreements, about music, about dancing styles, about business competition; has stunted the growth of our tango community.

    But they forgot that to really optimize the participation rate, to attract and retain more students, to make the milongas vibrant and successful; you need cooperation, mutual planning and advertising, and most of all, a good vibe from all sides.

    Now when ego comes in the way, and when everyone thinks he is right and the other party is wrong, cooperation is easier said than done. Maybe even myself would be hindered by my personal ego and opinions.

    But I learnt to transcend these feelings by upholding this mantle, 'Its not personal, its just business.' To look past personal grudges for the sake of business; to get down and dirty for the sake of business; to smile through anger for the sake of business.

    As I am not wise enough sometimes to do the above, just for the sake of the greater good of humanity; But for the sake of business and the success of the tango-summer project, I would do whatever it takes.

    (Not to be confused with the idea of profits, because its not about the money; money is just one of the indicator of a successful business.)

    The second thing I learnt is that I am not yet ready to do business. Its not my calling. Over time, this project evolved to be also about proving to myself that if I want to, I can do it. I have enough capabilities to make the money if I want to, to do make a successful business.

    But capabilities is one thing, desire and determination are other important factors which make up the rest. And for business and money making, I do not have the appetite or passion, not just yet.

    Like so many things in my life, I just need to know the fact that 'I can do it'. Maybe do it once, then its time to move on.

    Thales, the famous ancient greek philosopher, did a good piece of business; With his philosphical mind, he predicted the weather and the good harvest of olives, and he brought all the olive presses beforehand at a low price and made a huge profit when the demand came in.

    But he did that just to demonstrate to his fellow milesians that one could use intelligence to enrich oneself.
    -------------------------------------------------

    It was just for fun, because I never thought myself of being a business oriented person; when I wrote the concept paper for the tango-summer project, I put down 'To earn a profit of 3000SGD (around 2000USD).'

    Why 3000SGD? Because that was the price of a return ticket from Singapore to Buenos Aires. (Also it was to impress my 'business consultant' Jean-Michel. :) )

    In the end, I earned enough to cover the return trip and then some... heh heh heh ;)

  • Sights, Sounds and Smells of Singapore

    A philosopher (was it Hegel?) once said that when we have only one perspective of the big picture, the next most well informed perspective we can take is the complete opposite one.

    Which is why it seemed wise now that I radically choosed the other end of the world, Argentina as the destination of my journey out of Singapore. Different language, different culture, different living standards...etc.

    Which is also why, in late June 2008 when I returned to Singapore, after one and a half year away, suddenly I was very aware of the things that were very Singapore to me...

    --------------------------------

    It was an late morning run. I couldn't resist.

    2 hours upon reaching my beautiful little tropical island, after 30 hours of flight. At 11am I changed into my running gear and did what I could not do in busy downtown Buenos Aires: Go for a run around the neighbourhood right outside my door.

    As I basked in the humid 30 degrees sun, looking up at the skies, I saw rolling clouds much thicker and lower hanging than Buenos Aires.

    Starting my run, I took a deep breath and savoured the air. Clean, almost sweet, but heavy with water vapour. Unlike smokey Buenos Aires (although its called 'Buenos Aires', 'Good Airs' hah!).

    So much greenery and nature surrounding me: The trees, so much more enormous and numerous, surrounding the buildings, if we could take all the buildings away, I could almost still imagine a tropical jungle around us.

    As I ran around the same paths that I had ran for the past 10 years of my life. I noticed how wide the pavements are! How clean and new! The roads are well laid and in pristine condition.

    The only broken roads and pavements I saw were roads that were being constructed; being upgraded! Every 500 metres I ran, I saw a new building being constructed; a new road being laid; an existing house being renovated! (The apartment under construction beside my Buenos Aires building has been under construction since a year ago.)

    I look ahead around the horizon. Such clean and new buildings! Fresh paint and new concrete! But such sterile architecture!!! Squarish blocks of ugly green mixed with bright blue coloured public housing; like a crayon painting of a 4 year old. Who in the Ministry of Housing Development Board approved such colours?! The old european styled buildings of Buenos Aires, although run down and dilapidated, they are much more pleasing to the aesthetic eye.

    As I ran past the town center of Toa Payoh (a town in Singapore). It struck me how few people were walking along the streets even in the town center.

    On a Tuesday noon, the only people I see outside were the elderly or housewives, or a few young kids getting out from school, probably skipping classes. The rest of the country is either at work or at school; or probably hiding from the heat at some air conditioned place.

    Compared to Buenos Aires. The only times when the streets are quiet like this are during Saturdays or Sundays.

    I smiled at some of the elderly as I jogged past. They all looked at me as if I was some alien. Well, they are not that wrong. I already feel like a foreigner in my own birthplace.

    I realised from the look they gave me, from the way they sat around the plush green parks and the clean sidewalks. The fire in their soul has long been extinguished. Time is just counting the tick tocks for them.

    Is it any different in Buenos Aires? I think so... maybe life in Buenos Aires is tougher. The elderly still have to struggle with everyday life. Maybe the struggle keeps the fire burning.

    Such peace and tranquility! The serenity though seductive, is dulling to the senses.

    Yet it was good to be home for awhile.

    ---------------------------------------------------------------------

    The most incredible observation I had was that very evening, while taking the MRT (Singapore subway) at around 7pm, the whole train was filled with commuters getting off work.

    The collective smell emanating from the crowd was one filled with the humid tropical sweat mixed with an artificial office air condition scent. It was a very familiar one, one which I had not noticed since I was in Buenos Aires.

    Only in Singapore.

  • The Buenos Aires Milonga With The Strictest Social Codes

    What makes the saturday milonga at Maipu 444, named Cachirulo, so popular with the milongueros of Buenos Aires?

    What is the reason Cachirulo can boast the highest level of social traditional tango dancing in Buenos Aires (not to be confused with professional nor nuevo dancing)?

    I believe one of the key factors, is due to the strict enforcement of the traditional milonga codes, by the organizers Hector and Norma. Codes that discourage inconsiderate social dancers away from the milonga.

    Hector and Norma really enforce the rules. One time I saw a couple of french ladies dancing together between themselves and straightaway Norma asked them to stop.

    Numerous times, tourists who were fooling around the dancefloor, disrupting the other social dancers, were asked to leave the dancefloor.

    There was another time, a group of japanese tourist came and did not use the cabeceo (eye contact) rule to invite the ladies. Hector grabbed Jean-Michel straightaway to explain to them the rules (Jean-Michel speaks japanese).

    Just the other day Hector showed me his new code enforcing gadgets, a yellow card and red card! Like football referees, he would show the first time code offenders a warning yellow card, then repeated offenders would be ejected off the dancefloor with a red card. What a funny guy!

    Even I, or even regular porteño dancers, were not spared. There was one time when I was doing quite large steps. He came over and asked me to dance smaller. I see him do it to offending milongueros too.

    The organizers efforts reaped benefits. While Salon Caning, Niño Bien or Porteño y Bailarin are besieged by problems of unruly dancefloor, bad navigation, crazy high kicking dancers; Cachirulo maintains a high level of dancing and a traditional social milonga feel.

    I will leave the explanation of the obvious and hidden codes of the milonga, to be done by the well written articles of my good friend Jean-Michel.

    “Saber Milonguear” Part 1: the obvious codes of the milonga - By Jean-Michel LEDEUR

    “Saber Milonguear” Part 2: the hidden codes of the milonga - By Jean-Michel LEDEUR

    Just a week after Jean-Michel wrote the above 'codes of the milonga' posts on Royce's blog. By chance or otherwise, Hector approached him to come up with a little signboard of the codes of the milonga, in english, chinese, french, japanese and spanish. And he put it up at the entrance of the milonga.

    He then asked Jean-Michel (look at how slim he is!) and Royce to give a little impromptu announcement during the milonga. Enjoy!

  • The Last Frontier - Student Again

    My last update on the student visa problems was in February; where I needed to resend my police record back to the Argentine counsulate representing Singapore, located in Indonesia (whew), for them to re-legalize it.

    I sent it through DHL and 2 weeks later, they sent it back to the Argentine chancellery. With this final piece of the puzzle I went to the University of Salvador (USAL), sat through a short interview and they finally handed me a permission form which allowed me to go to the Ministry of Immigration to apply, not just a student visa, but temporary residency.

    After the ministry of immigration checked through all my documents, 24 hours later they issued me a temporary 'DNI' (document of identification) that was valid for 50 days, while they arranged with other departments to process my application. I was to go back to collect the official DNI two months later. But this temporary DNI was sufficient for me to start school.

    So I started school early april 2008. As I had went back to confront my demons 2 years after failing my first army spec ops selection tests. I am now confronting my demons which I had left behind six years ago; when I was kicked out National University of Singapore (NUS).

    School was not easy. USAL made me missed NUS a bit. I had missed the chance of making the best out of the wide open school campus of NUS, filled with libraries, lecture halls, football fields, amphitheatre, etc. And here I am, in a small 8m by 8m classroom. My university life will revolve around here for the next four years.

    The first few days of classes I was completely lost. I remembered just staring blankly at the professors and noting down some keywords I caught so I can go back home to look them up.

    Then more problems arised when I had to do so much reading but in spanish. Every paragraph for me, will take the same amount of time for others to read one chapter. I resorted to downloading the english versions of the texts of Plato, Heidegger, Saussure etc... Reading first the english texts then the spanish texts.

    Of course more problems arises when I have to write essays, which I have to write them first in english then translate them to spanish.

    The most amazing problem came two weeks ago, when I went for my very first classic greek exam. Not only I had to bring along a classic greek dictionary; I had to carry a spanish to english to spanish dictionary the size of an encyclopedia to the class. My fellow classmates stared on with amazement.

    But it is strange how things are working out. All the above problems are helping me to concentrate more in class. A small classroom space and student size made the interaction more personal; I had to study and prepare beforehand to make sure I can answer the questions. Not being able to follow what the teachers are talking about, made me read more on my own. Reading each text several times in english then in spanish actually made me understand them more profoundly.

    I guess at my current age, I am more mature and quiet to settle down to study for hours. Also, my mental state is keyed to absorb the knowledge available to me. I find myself thirsty for more knowledge, reading and finding out more and beyond the texts given by the school.

    Life experiences also helped to guide my thinking in a more mature way. As much as I can in my philosophy writings and understanding I try to guide them towards applications and influences in living my life.

    This time, even though the odds are stacked against me, I am even more confident than 6 years ago; more confident and determined that I will conquer this final hurdle. Because this would be the final bond that I will break to completely free myself to explore the world.

    Below is a letter to my beloved spanish teacher who could not understand why I wanted to study philosphy, she recommended engineering, business, law or psychology instead.

    8am as I am walking to school

    ---------------------------------------------------------
    Don't worry Mariana :)

    I know you care for me and want me to have a good future... A bit like my mom. She says the same things you say all the time. Haha. :) But I know myself. If I was more conventional in my choices and had choosed to study business or architecture etc... I would not be here in Buenos Aires would I? I would be in Singapore, still working in my Army job, with lots of money and married with one baby coming up.

    I had said philosphy is useful in life. It really is. Of course the 'arm chair' philosophers are indeed not very useful to the society nor themselves. But I treat these four years of studying philosphy as acquiring a skill that will help me think better, have a more open mind and see the world in a more profound manner.

    Would I continue to philosophize all my life? Probably. But is there such a job called a professional philosopher? I don't think so. Most philosophy graduates go on to become language teachers, business people, arts directors, lawyers or even our dear english girl's grandfather; a carpenter.

    In my life, as I grow to become who I am, I have seeked out what defines me. What is my meaning in life. Who am I really are and what am I made of. During the journey, I set some targets for myself. The first was to find my physical and mental limits. That was achieved when I joined the Special Forces in the Army. And during that discovery process, I learnt how much determination I can have, how much physical efforts I can make and also helped shaped my character. I become stronger.

    So now, my next goal is to find out my intelligence limit. How smart I am? So which subject is more appropriate than philosophy? A subject that requires you to think and analyse from different and profound angles? Not engineering, biology, history, or literature. Of course all these subjects need intelligence, but not as demanding as philosphy, in my opinion.

    After these four years, I am sure I will find the limits of my intelligence, grow to become a better person, and of course get the degree which I could not get in Singapore. After which, I have to and will, find another passion in life to continue to seek. But at least I would be sure for myself, in my physical, mental and intelligence aspects. So one day if I want to climb mount everest I would know I can achieve it. One day if I want to write a bestseller, I may know if I have the capability. Whatever dreams I might have I would have no fear in my own capabilities.

    Such is life. I don't ask you to understand my choices. But I hope you can support me. Because already philosophy is difficult, philosophy in spanish is even more difficult. But philosophy in spanish with Mariana saying it's useless all the time, is incredibly difficult. :)

    Having said all these, I am not angry with you. I know you want the best for me and yes we are friends. And I respect you more than a friend so I understand. Like I said, a bit more like my mom. :) And please do continue to say whatever you want to say. Because in life, no friend agrees with each other 100% all the time.

    love,
    Isaac

  • Isaac's Midsummer Nights Tango

    Dear friends,

    I'll be coming back to Singapore for the month of July 2008. During which I am looking forward to share my Buenos Aires tango insights with you guys. I'm organising some workshops, guided practicas and also a couple of milongas for everyone to enjoy themselves.

    This is the website to go, to check out the details of the activities I am planning: midsummernightstango.blog.co.uk

  • The Festivals In Buenos Aires Part 3

    After living 26 years of my life just eating and not cooking anything other than instant noodles and fried eggs; after having inspired to learn to cook because, living in a faraway land the thing you miss most about your country, and that which could let your foreign friends have a taste of your culture - is the food.

    After two failed butter cake attempts, one failed Char Kuay Teow (fried chinese flat noodles with dark soya sauce) attempt, I proclaimed myself graduate summa cum laude from the Isaac Ho Mommy and Granny's school of cooking, year 2007.

    After all that, here I am, back in Buenos Aires ready to flex my culinary muscles in front of my friends.

    "I am going to host a Chinese New Year's party at home, and I propose a 10 dish chinese culinary spread. I would be inviting 15 guests; Javier, Andrea, Marite, Rosana... etc..."

    "...And the dishes I would prepare are Jiao Zi (steamed prawn dumplings), hainanese chicken rice, Ma Po Dou Fu (beancurd with spicy meat sauce), stir fried beef with celery, Nian Gao (sticy new year cake)... etc..etc.." I told Royce and Jean Michel excitedly late January 2008, two weeks before the Chinese New Year.

    "Yup! This Chinese New Year would be the time where I return the hospitality to all my argentine friends and also cook for them some real chinese food, not the lousy ones they get from the chinese restaurants here... Hehehe... and Royce I would like you to help me cook..." I continued excited, all gungho and ready to cook up a storm.

    "Hold hold hold hold... Isaac, calm down..." Jean Michel said, bemused. "How many cooks you have?" He asked. "One, myself. Plus Royce two. Plus Maxima as a helper. Heh heh heh."

    Royce, the real cook, chimed in, "How big is your kitchen? How many pots and pans for cooking do you have?" Slowly, the Isaac that was flying in the clouds was being pulled down to earth.

    "I think you should consider that you have only one or two afternoons to prepare your meals, the size of your kitchen and the cooking tools available to you, and most importantly, you cooking experience and manpower available. A 10 dish spread is impossible!!!" They said a matter of factly.

    I couldn't help but feel the impact of crashing down to earth. But I know they had the best of intentions and they are experienced in organizing parties. Plus I know I have the tendency to be a little bit extremely idealistically inclined.

    "Ok... what do you guys think then..." The disappointment in my voice could not be suppressed. I think my dear friends sensed that and but they were determined not to let me fly off into outer space. "Isaac, what is important in such a gathering is that all your friends enjoy your presence, much more important than proving you are a good cook."

    In the end we decided on doing a much scaled down party: my now famous 'Hainanese chicken rice' (who better to do hainanese chicken rice than a hainanese?), a 'ku lou yoke' (sweet and sour pork), supplemented by the bah kwa (dried pork) Valerie sent to me from Singapore, ready made steam buns bought from Chinatown in Buenos Aires, and Royce's stir fried kangkong.

    Loving couple

    During the party day, 15th Feb, Friday, I started cooking from 10am in the morning; Maxima helped in the kitchen all day. Poor Maxima had to put up with my army like commands.

    Roommate and Maxima

    In the end when the guests arrived around 830pm I was still putting together the finishing touches of the dish, at that moment I thanked Royce and Jean Michel for keeping me in place, if not the guests would probably had to wait till 12 midnight to eat... But we made it, Royce, Jean Michel, Maxima and I!

    As we rolled out the dishes, the guests came streaming in, Rosana who used to teach with Cacho Dante, Cecilia my first argentine friend, Adriana my spanish teacher and two of her students, Gimena, Bichy, Andrea Misse, Annie and Fish the taiwanese dancers, Sandra, etc... the house was packed.

    Cecilia

    Jean Michel and I did a little impromptu standup comedy act while introducing the dishes. Reminisence of my university emcee days with Nick the Dick. There was a lot of chemistry between us because Jean Michel did theatre too when he was studying. There were loads of laughter talking about the exotic chinese food and their names.

    My girls

    Then the party got underway. I put on some funky chinese music, the food was swept up fast. They enjoyed the food very much, they even wanted the secret recipe! Well it was not hard to impress because good chinese food is hard to find here.

    Bichy and harem

    Looking back at the party, food is really a way to bridge cultures. Especially chinese cuisine which is so sophisticated, delicious and has so much history. It is really a good skill to learn; a very personalised way to spread the goodwill and introduce my very own culture in a foreign land.

    Kiss from goddess for all the hardwork

    All thanks to Isaac Ho Mommy and Granny's cooking school!

  • Philosophic Inspirations

    Once upon a time there was a centipede that was amazingly good at
    dancing with all hundred legs. All the creatures of the forest gathered to watch every time the centipede danced, and they were all duly impressed by the exquisite dance. But there was one creature that didn’t like watching the centipede dance—that was a tortoise.

    “How can I get the centipede to stop dancing?" thought the tortoise. He
    couldn’t just say he didn’t like the dance. Neither could he say he danced better himself, that would obviously be untrue. So he devised a fiendish plan.

    He sat down and wrote a letter to the centipede. "O incomparable centipede," he wrote, "I am a devoted admirer of your exquisite dancing. I must know how you go about it when you dance. Is it that you lift your left leg number 28 and then your right leg number 39? Or do you begin by lifting your right leg number 17 before you lift your left leg number 44? I await your answer in breathless anticipation. Yours truly, Tortoise."

    When the centipede read the letter, she immediately began to think
    about what she actually did when she danced. Which leg did she lift first? And which leg next?

    The centipede never danced again.

    -- Excerpt from "Sophie's World" by Jostien Gaardner

    "When I dance I do not think (about steps). When I think, I am just a ghost, I'm not dancing." Tete, milonguero, Buenos Aires.

  • Tango of the Milongueras: Part 2 - The Magic of The Milongueras

    So now, with the basic framework established, let's go back to my definition of a milonguera. 'Someone who has mastered the art of conversing with her dance partner in the dance with tango music.'

    Like a good conversationalist, a milonguera knows tango music by heart (conversation topics). She feels the music in her soul. Every violin string, every piano note and every word of the lyrics, she knows it musically and she feels it emotionally as well.

    Music isn't only a formation of mathematically harmonious notes; it is primarily a window to the emotions of the interpreters: orchestra, musicians & singers. And in tangos, interpreters sing about places and events which are close to the hearts of Argentina's people.

    So many times, when I danced with milongueras of Buenos Aires, they sing beside my ear, with their beautiful voices, the wrenching lyrics of tango. And they are the only ones to do so. These are the moments you can tell they are lost in the music which flows within their blood.

    From the outside when you see milongueras dancing, their bodies move in harmony with the music: smooth, when the music is romantic, excited when the music is energetic... And never any high kicks on slow and quiet Di Sarlis!

    Like a good converstionalist, a milonguera can dance with many good social dancers and will be fully connected to her partner (listens and understands).

    After so much social dancing, milongueras have the ability to listen to the leader's suggestions, understand his musical interpretation (conversational ideas) and connect with him perfectly.

    I can see many milongueras which are highly sought after by the best milongueros; they dance with just about all of them and milongueros always dance with a smile on their faces while the couple is moving in harmony.

    Like a good conversationalist, a milonguera has her own interpretation of the music (her own independent ideas) and isn't afraid to express it.

    In the embrace, if the leader is sensitive enough and allow himself to feel and listen like a good conversationalist would, he will feel the milonguera's music through her body's expressiveness. He will feel the motion of her face towards his as if she is looking for a more intimate hug, when the music gets intense. He will feel her body softening like a languid snake following the drawn out melody of the violin. He will feel her feet landing and/or embellishing with a sharp energy when the music gets rhythmic.

    And if he is an open minded leader (a sensitive guy), he might even allow for some times during the dance when he will suggest and lead nothing. He will let the women express her own interpretation of the music fully. And milongueras never miss a chance to seize these little 'silent windows' and embellish them with body expressions of their own (their own tango talking). They dance!

    Like a good conversationalist, a milonguera inspires (interesting conversation) her partner during the dance. Not only does she know the music, can she connect to her partner and add her own interpretations, but also she is able to inspire him through her dancing.

    When, with a milonguera, we listen and share the same emotion to the music, she gives me the sensation that she truly understand and agree with what I am dancing (saying). And she can add her own emotions and musical interpretations (clever remarks) on top, like adding oil to the fire, making it burn even more brightly. When I slow down, she slows down too, but in an even more intense way. When I attack the beat, she attacks the beat too but with an even sharper energy.

    When we are listening to different elements in the music, or when I am dancing to a tango which I am not familiar with, she delights me with her way of interpretating the music. She is never disconnected from me but shares with me her interpretation which usually suits the music perfectly. Through her body energy, she lets me know when she would like us to pause, when she would like me to slow down and when she would like us to attack the beat.

    Whether we are listening to the same elements of the music or not, her dancing is inspiring. In the very same way, Royce described her dancing experience with old milongueros.

    So how do you become a milonguera then? That is another topic for another day...

    --------------------------------------------------------------------
    A female tango dancer friend related to me, a fellow guy dancer suggested this to her:

    This dancer said that dancing tango is just a way to 'stretch one's body'... ...He regards tango as a kind of sport and might think of the milongas as gyms too... ...He also said that the dancing energy can be seperated from the music and he doesn't like girls to express anything of their own in the dance. He even said that girls can give up their musicality and just follow what he wants to do."

    To that I have the perfect response, which comes in the form of a story a good milonguera friend named Marite told me:

    She was once with a dancer who danced trying to control and lead her every movement. He ignored all the suggestions she made to him during the dance...

    After half a song, she gave up adding her own spice and just followed. At the end of the tanda the guy said: "Wow!! You dance very well!"

    To which she replied: "Oh thank you! I followed well, but I didn't dance."

  • Tango of the Milongueras: Part 1 - A Brief Reflection Concerning Music, Dance and Language

    Royce wrote an article awhile ago, 'Musicality of the Milongueros' ( http://www.loksze.com/thoughts/2008/02/25/musicality-of-milongueros/ ). This is a response to her article from a guy's point of view. How does it feel like dancing with a milonguera (good lady tango dancer)?

    First, what is a milonguera? To me, the key essential point is: she is someone who has mastered the art of conversing with her dance partner in the dance with tango music.

    The key words here are 'music', 'dance' and 'conversing'.

    So now, you might ask. What does 'conversing' mean? Verbal speech? Sign language? Hardly. To understand the 'conversation' in tango, we must first talk a bit about 'music' and 'dance'.

    Before dance, there first exist the 'music'. In music, the composers and the orchestra seek to communicate their own emotions, memories and ideas with melody, rhythm and lyrics. In other words, the music maker put their own 'reality' or 'self' or 'personality' into the music the composers composed and the orchestra play.

    That is why you can identify the music of different orchestras straight away. D'Arienzo has such flavours, Di Sarli has such flavours and Pugliese has such flavours, etc. They are all distinct, like their personality; even on the same musical score.

    With existence of music, the dance is born. As of all dances, the dancers listen to the music of the music makers and then interpret it with their own body movements. The interpretation of the each piece of music is then added with their own individual 'reality' or 'self' or 'personality' of the dancers.

    In another words, every dancer interprets, even the same kind of music, differently; with their own individual, independent ideas and flavours plus body limitations.

    It is straight forward in individual dancing, or non partner dances. Contemporary dances like Jazz, Hip Hop, everyone interprets the music he hears independently and moves according to his own creativity and understanding.

    So if spoken language is a way of verbally communicating between one human being and another. We can say, music is a way of communicating the music maker's ideas to the listener. Music is the language of the composers and orchestras.

    Dancing is also a language. A little different but in the similar vein. The dance is a way of communicating the dancer's ideas to the receiver. And the dancer's ideas is restricted or influenced by the music that he or she is dancing on.

    In other words, the better the dancer's understanding of the music maker's reality (music), the more accurate he is in perceiving and giving an accurate interpretation.

    That is why you would not see 50 cent's hip hop moves do very well on Tchaikovsky's Swan Lake. Or that is why those brazilian female dancers groove so well on samba.

    So the dance is the language of the dancer, in communicating to the receiver. And it is for this and only this reason, dance exists. Dance exists only as a form of expression, or language.

    But what about a partner dance like tango? It is easy to see that in partner dances, the receiver of the dancer's interpretation of the music is his or her partner. That is the essence of a 'partner' or 'social' dance, a dance within two people.

    Hence if tango music is the language of the music maker to the tango listener, then tango dance is a language of the dancer towards his or her receiver; which in this case is his or her dance partner.

    In this magical dance of tango, where a partner is present, and the language is directed towards one another, voilà! There exists a possibility of the receiver communicating back to the dancer. Hence, there exists the possibility of a 'conversation' between the partnering dancers.

    But as in the case of the free form dancer's language being restricted by the music maker's reality. This conversation between two dancers is also restricted by the partner's reality.

    That is to say, in tango, because it is a partner dance, not only you are expressing your own interpretation of the music, you are also on the 'receiving end' of your partner's interpretation of his or her music.

    Being both the interpretor and receiver at the same time, although the form of the expression is still the same as in a free form dance; dance, a physical language. But the context is now different. It is a two way street. Just like an english speaking newscaster might be using english language in one manner on television and using it in another manner when he communicates with his wife.

    And the main important difference that facilitates this communication or 'conversation' is to be aware of this additional reality (your partner's). In other words the dancer not only needs to listen to the music and then express it, he or she needs to listen to the partner.

    An apology for such a lengthy explanation. To express something so magically felt in written words is not an easy feat. The best way to find out how a milonguera feels like when dancing is... to dance with them.

  • The Festivals In Buenos Aires Part 2: New Year's Day - Fires In the Sky

    It was the last day of 2007, Javier rounded up some his close students and friends for a mini celebration at his home in the neighbourhood named Constitucion in Buenos Aires.

    It was a quiet and intimate dinner at the balcony, there were his close friend Marite and yours truly. The taiwanese dancers, Annie, Gustavo and Maxima. A chilean dancer called Enzo. Two russian girls called Karina and Lida.

    Karina La Rusa

    Javier demonstrated one of his many talents outside tango by cooking up a storm for us (he also sews his own sofa covers and outfits, designs Andrea's hairstyle and dresses, amongst other things). There were 'canoles de veduras' a type of italian pasta, beef stew and russian salad by Lida.

    "Let's write down our wishes on the 'globo' before we send it up to the heavens." Javier told us after we finished our dinner.

    Deseos

    A 'globo' is like a small hot air balloon made of paper, with a candle attached to the base of the balloon so that when lighted by fire, the candle burns and the balloon traps hot air to float up skywards.

    Globo1

    Spanish, english, russian and chinese wishes were written down on the paper. It reminded me of our chinese style 'Kong Ming Den' (Lantern of Kong Ming). Unlike what we are doing, it wasn't used as communication with gods; Nevertheless it was used as an important form of battle communication and coordination during ancient war time in China.

    Globo 2

    As our wishes floated skywards, the clock struck midnight. Cheers around the neighbourhood could be heard and the Buenos Aires skyline lit up with fireworks. All around the city, on the streets and on rooftops, fireworks were set off.

    Globo 3

    The 'globo' did not rise too high before it crashed into a nearby building and burst into flames. We did another two of them and neither survived more than 10 seconds. We had a good laugh. Close proximity of buildings was really not very condusive to such pyrotechnics.

    But as I watch an errant firecracker from the street fly into a nearby window, I have a sense that, at this moment the Buenos Aireans do not really care. They just want to enjoy themselves; a fine balance to thread.

    Unbridled Joy

    Then we played some silly water games, spraying champagne, coke, ice and water on one another.

    For two hours after midnight, the skyline continued to be peppered by fireworks. At Javier's balcony, we had the perfect vantage point. Chatting and enjoying the first morning of the new year.

    Fireworks

    After awhile, Javier put on some cumbias and tangos and we took turns to boogie away.

    Intimate and chilled out, that was how I welcomed year 2008.

Footer:

The content of this website belongs to a private person, blog.co.uk is not responsible for the content of this website.