More specifically the middle aged lady dancers.
Went to Lo de Celia milonga in the evening, after meeting and hanging out with my Buenos Airean friends, Cecilia and Will; Ceci and Will are warm and nice. Both level headed and mature. They know what they want and share the same future. Anyway they showed me around a bit. Its always good to have someone to turn to in a foreign land.
Back to Lo de Celia. Its a nice little nieghbourhood milonga. Compared to the posh Nino Bien and the young, vibrant, techno La Viruta, Lo de Celia has a community center for the middle aged feel. Similar to El Pial in terms of that, but in Lo de Celia, the atmosphere was much friendlier and they are more open to strangers. Less cliquish and you can see everyone dancing with everyone, instead of just amongst their small social circle.
I was still very unsure and hesitant to dance. I remember there was a time in Singapore, a few months after I started tango, where I would turn up for milonga but just sat watching throughout. My idea is that when I start to dance I want to be good. Not struggle in front of others and the lady. So I was at this corresponding stage in BA. Where I haven't proved myself to others and I. Not much confidence. I thought of just chilling out, enjoy Royce and Jean Michel's company, tango music and watching.
However, the above mentioned friendliness very quickly manifested itself. I was avoiding all eye contact and then an argentine lady sitting in front caught my eyes and asked, 'Bailar tango?' I had to take it, I felt my balls were on the line. Usually the men asks, now the lady is asking...
So Marie and I danced a tanda. And it felt great. There were more space compared to Nino Bien and I think I was more relaxed.
After Marie, I was so pleased I was ready to sit down. That was all I needed. One dance. Marie looked so happy after the dance. She was beaming up and down, 'muy bien, muy bien'. She even told me which milonga she is going tomorrow and asked me to go there! Soon two other ladies sitting in front of me asked me to dance. And Marie asked me to dance again. I was so embarrassed, I keep wanting to stop because I wanted to quit while I was ahead. I had very good dances so far and didn't want any bad dances to spoil my beautiful memory of the evening. But I also can't refuse the ladies. Then it just seem to be I am putting myself up to sell (old chinese saying).
All in all I had 7 tandas of dances, 2 each with the 3 portenos, and one with Royce.
There went my first dance with a porteno (Buenos Airean). I have to say I'm glad it was with Marie. She was an excellent dancer. Full of presence, grounded and feels the music in her soul. They must have heard it so many times every note is in their bones.
The most important thing I feel is this; the ladies, being just social dancers, might not have the most polished technique, best balance, most elegant postures, but...
They are there with you 300%, once in the embrace, they trust you with their life, to take them anywhere and do whatever stuff. They trust you to take care of them and enjoy the music and dance with them.
I think this is only in the ladies of Buenos Aires. Ladies from other places might have some elements of that, but they are also looking for you to give them interesting moves or techniques. Or interested in letting you show them off by making them dance beautiful moves.
Only the ladies of Buenos Aires, they just need you to feel the music; let the music move you, and take her along with you.